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her research focuses on Shetland before 1886, authoritative &or directive inscription in Europe from 789-1752, and certain bodily contexts deemed aberrant by certain empirical regimes.
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she applies humanistic techniques to software engineering to build machines for storying against epistemic flattening and empirically-led harm. with these machines she marionettes intermedial datum-objects using metadata as score and NLP as armature to stage intersemiotic counternarrative events. these are living systems that she often performs in, with, or from.
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she also makes things that have nothing to do with computers.
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she has a masters from The Glasgow School of Art and completed her undergraduate studies at Bennington College+Goddard College (Vermont, USA). her earliest memory is eating custard in da croft kitchen box window while her mother fed Emily, Moonie, and three other sheep down off the hill carrots out of the fridge.
upcoming/recent: 12.09.26 Richten25 (Berlin), 10.09.26 ABA Alexanderplatz (Berlin), 20.08.26 Wave Farm WGXC 90.7FM (New York), 19.08.26 Baked Beans on the Doorstep at Old Hairdresser's (Glasgow), 04.07.26-26.07.26 Outpost Gallery Members Show curated by Market Gallery (Norwich, England), 25.06.26 Events Research Programme at Transmission Gallery curated by Market Gallery (Glasgow), 05.06.26-19.06.26 Hospitalfield Interdisciplinary Residency (Arbroath, Scotland), 13.03.26-14.03.26 Religion & Art, Goldsmiths, University of London, 26.11.26 Lakeside Theatre, Essex University (Colchester, England), 06.09.26 Market Gallery's Bday Party at 16 Collective (Glasgow)





